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"The For Carnation " (2000, Touch and Go)

There it is again, the voice of Brian McMahan. The early nineties, he sang with the indie legend Slint, but they were in 1991 already history. Then created the creative mind behind some years later, his dark bluesy solo project, whose recordings of musicians also like Tortoise, Shipping News, and his old bandmates, participated. But all played here and they always play a subordinate role. McMahan lived through six diverse songs the black solitude of the songwriter, as he stood all alone in a darkened ring - the only lights directed only at him. Deliberately set to the background sound on sound. The pieces never sound cluttered, but develop slowly minute by minute. - At least half an hour away to the cool sounds strange vision of 'The

For Carnation expire '-. And to that voice! She comes closer, sneaking up close, it sounds deep and soothing, that one is very dim. Then she disappears from the dim spotlight, the mood darkened again and drag it long, nightmarish instrumental parts of their songs: a shuffling bass, minimalist Klavierklimpern, subtly swirling electronics and infrequently, a cello bow, the heart-rending tones in the tapestry of sound cuts. Is it therefore not too light-headed or stupid latches onto unchallenged from, one is probably the best (oh come on ...) all gifted Albumcloser called 'Moon Beams'. And of course take it again and The For Carnation their time. Takes 10 minutes, the wondrous slowing of the final moment by a stoic beat that listeners can drift by several minutes alone flashes of guitar strings and angespacet dark ambient space. Brian McMahan whispers: "Why we sleep fully dressed and rise early from bed" - with a hollow face you listen to his apathetic umheimlichen words that float like dahinkriechende shadow over the scene. Result = emotion and the repeat button.

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Slowcore-Special (3): The For Carnation



"

Lower Case" (1995, Summer Shine) prances in minor, the Australian four in slow motion through 5 on long, powerful reductive, melancholic post-rock numbers - The Codeine'sche sound design was rolled out here again delights: It usually starts slowly and creeping, sparingly handled with snare and cymbals, and the lyrics are more miniatures. Her compositions are airy and can be initially first time. A lot of time. That Bluetile lounge act here as if no one knew except them, whereas meander their sounds, their music filled with a strange elegance, and it therefore needs a few walks, we really opens up the terrain. Eventually you find your way around, depends again on this wonderful, sensitive melodies and driving can be ... The band does not act, however, continuously so hesitantly and reluctantly. It is a swelling, a latent uneasiness that aftet the songs anh

. Their instruments can be huge and surging when suddenly begins to scratch the snare, the cymbals whip forward, the guitar reingrätscht noisy, or escape from her shimmering post-rock harmonies, the 1995 yet, Mogwai-imitators, abgenudelt completely sounded.

It was way low-vocalist Alan Sparhawk, who on their debut album ' Lowercase ' attention and it was further stake in the States at some Sub Pop label. Basically a dream scenario for a young group that after years of self-the self-finding and Herumkrebsens comes in the Perth music scene at a prestigious board adjourn. I am also still a little mystified that Bluetile Lounge, are themselves versed in the genre, is still considered a secret. Well, the band disappeared after another great album in the late nineties, entirely from the scene, and by only two appeared in this decade a sign of life on - but then it has harmed no other myth, lulz.

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Slowcore-Special (2): Bluetile Lounge




"Sleeper Coach
" (2004, Loose Thread)
Gar smooth music that entspingt the research-based underground scene in Chicago! Was not it? Tortoise? Gastr Del Sol? Rock conventions my ass! The trio of Zelienople produced comparatively complex, but slow, with almost nachtumwobene music club taking atmospheric density

.

You move around between the fixed points of jazz, ambient, drone and often lost in a kind of bittersweet Western romance. Almost a little blues, they are therefore instrumental in the lowlands, where the singing and could easily be taken from a Slowdive album. Too much structure they can not, however: the soothing timbre of Matt Christensen rarely occurs in appearance, even the more restrained percussion rustle among the swelling drones. Know I do not it better if I had Zelienople, together with its experimental approach and who remains, organic, warm sound aesthetic avant-garde even the colorful melting pot of Portland (Valet, Darwin Bitch, Jackie-O Motherfucker so on). '
Sleeper Coach
' is therefore also one of the two plates in which I was a little unsure if they would not move away too far from the basic idea of this little cheesy ideas. Before the Chicago trio, however, entirely soars in middle-art refinements, they end up at the end of this soothing 54 minutes, following the 'special mood' (soso!) back here in these lines.
Ultimately gives the album but significant associations with the slow-core style (Spain and best regards from Bark Psychosis) and is already far too great to allow you to play in this context mentioned.

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Slowcore-Special (1): Zelienople


# 2: Zomby - Kaliko Zomby is currently one of the names in dubstep universe, somewhere between Wonky, Chiptune, UK Garage, Grime etc. pp. - Perhaps one of the most Overrated? I can not rate it. From time to time at least to me swim to singles of various major and minor name of the genre, almost blowing me into the ground and me a fresh spring Open universe. Dubstep seems to conquer the world, or isses over again? The need to probably the music journalists in fierce street battles out among themselves.

"Calico" is let one of these tracks that I have now torn up the turn signal meter wide and have a boil that special euphoria. The part is 2008 under the 'Zomby EP' released on Hyperdub. Very well. It starts with a silly chiptune-like keyboard that's about the competitors are already in the Trade Mark of the track: bursts of short, trippy scales, distorted and wonky-esk, all wrapped in red and black light.

The motive is slowed down again, slightly modified, returns to the fast Original format back. Among the seething 'wobble-wobble' bass drum, snare pops grooving unreal to me then the last kitten from the glasses. Beautiful on 2 and 4 No, but 3? Or 1? WHATEVER, the wave is always sensible, you jerks in ecstatic thought spirals, intense, intense. Polyrhythm is the key word - all within the meaning of everything in this track is so rhythmically to the point and sophisticated that you yourself have a dry German objectivity no choice but to tears of joy. Bassline, drums, melody - everything moves continuously and almost unnoticed, It has an unexpected space with a penchant for all-destroying Groove result. Or, to put it in perfect Fachzyperisch to say: "
The main texture of 'calico', esta blished
at bar 22, is actually a patchwork of slightly different heterophonically polyrhythmic textures built from different rhythmic / metric manifestations of the figure upward cascade, shifting slowly with rhythmic diminution and augmentation, Accompanied by an array of complex polyrhythmic drum loops big enough for a whole Flying Lotus record. "
(
source
) is exactly what I mean it, man!


After nearly 4 minutes of fun already over. Sorry. The Asige 3:58 minutes - repeat forever. At least. WOBBLE WOBBLE BONE CRUSHER

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Songs About Fucking # 2

Of those who slowed down the indie-rock.

A crystal clear voice wobbles relish in extensive areas, based on the defaulting drums's most essential, subtle, the strings struck, sounds like Rohypnol Country under-influence, and then again gaping holes full of spaciousness and minimalism.

There's music, look up terms such as stress or sensory overload appear only in foreign words have little book, which instead seeks the withdrawal and passionate sedate pace joyless happy seems - a fine line between resignation and defiance, in the in the last 20 years, some almost-forgotten musicians wandered. So it seems.

Since our first encounter with Mark Kozelek band
Red House Painters , there developed a silent growing enthusiasm that not only his band was, but for this one minimalist tamed antithesis of rock music, the unhappy times be elected term Slowcore
changed its name. A musical movement in the indie underground of the end-of-eighties, which could explain both the folk-like ballads of pain
American Music Club have sprung to their essential influence but lagging a few decades: Kozelek delicate guitar playing the melancholy breathed bare arrangements of the late Nick Drake
exactly as the avant-garde compositions of the American Primitivism Country of the '60s.
In contrast to the more folk-affinity-Red House Painters, the American band Codeine their sound understanding moved increasingly from the dreamy Reduktionspop of
Galaxie 500 and the supercooled post-punk of the early 80s. The increasing acceptance of the sonority thus led to focus on individual sounds: usually crystallized the sound of each string or the sound of delicately painted pool out acoustically, before their sale in the form of outbreaks indicated dumped back into sounds - only for brief moments, of course. Their last album 'The White Birch', the suspect with his crushing atmosphere reminiscent of Slint s 'Spiderland' was in effect a decisive veto against any expressionistic sound design of that time.
As already mentioned, many of these short-lived movement in music flirted with folk and country bonds, or the boundaries blurred increasingly under the influence of math or various post-rock varieties: Mogwai s 'Come On Die Young' seems about the 'White Birch' at least to be very well informed, so coined seen the slow-core style of the burgeoning post-rock in the early nineties to prevail. inspiration drew from the same bands like Bedhead and Low , the latter sounded even more static than their forefathers in past years. Even the endlessly beautiful 'Transaction De Novo' album by Bedhead embodies the insidious, skeletal Indie Rock, inviting, dotted with wondrous melodies, the indulgence and immersion.
The view of the 'big' bands to be in this small section, however, turned a bit. Why adjust the focus even more sharply had to be because, as in so many cases, one encounters always one or the other forgotten dreamers, if you dig below the surface. In this procedure, I quickly realized how pointless it would be to draw a demarcation line of the genre, or too strict a definition clips (if you will, has this special little one or the other commuters on the slightly blurred contours sneaked away). Rather, it is this particular mood, all endemic groups, in spite of (slightly) varying musical versions have in common, it is the simplicity and clarity that this sound is always a place of silence to unspeakable 'Music', Metal to Dead or appear punk, let.
I roam just been my hot beads Viewfinder Suit scald me to the third Teechers for today, and off they go! Here is times did not rock, fuck yeah!
Let us therefore begin a small, ten-part review.

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Benoît Pioulard - Précis (2006)


Thomas Meluch makes under his pseudonym Benoît Pioulard most rustic warm, soft and superbly converted music. Technically well without Genre somewhere between dream pop and singer / songwriter, but ever after retro-sounding Shoegaze or New York artsyfartsyness. Okay, is lifted something artistic and it already times, when his intense, almost narrative voice between all sorts of 'verblurrten' sounds loses floats, murmurs dies. The mood of 'Précis' is hard to describe, somewhere between fresh spring shallowness and November of depression. Sometimes the whole works like a surreal ticking clock that runs slow and you memories, one after the other, draws from the unconscious and his face holds. Practically a psychological effect, which stores the disk in your brain as something special. Therefore, the space in the decade list. I know the Plate certainly not by heart, maybe not so good as I could here pompous talk about them, but each time she still is finding its way into the playlist I'm banned if the truly unique aura.

" Oh, dusk intended silences ..." he sings in "Palimend" going while guitar and percussion shrouded the march towards "gently, almost in silhouette. All hugs you like a quiet morning mist is just to behold the sun to slowly. Nothing on 'Précis' sounds really herrausstechend or 'in-your-face' - that's how the magic is made. All woven into an album like a mirror - variable, insistently, of a piece. Call me King of the comparisons.

The album was released in 2006 on Kranky. Field Recordings can be formed from it and all sorts of sounds arriving with his voice and the instrumentation timid a symbiosis, in which only a pearl rise - Fits natural as ass on his face. Degree in this field is lifted off a rather fine line not to appear too abstract and Wayfarer sunglasses. 'Précis' is far from all of this. Oh, and with "Needle & Thread" has even crept a little classic on the disc - if that's not strip their espadrille ... stop listening to music.

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93.





Viktor

Vaughn
-

Vaudeville

Villain

(2003) For over 10 years potters Daniel Dumile under various pseudonyms ( Doom , MF

DOOM , King Geedorah, Viktor Vaughn, etc.) already in HipHop - Underground and obtained by various collaborations with Madlib or Danger Mouse also genre-spanning awareness. His vision of HipHop is crossed by abstract rhyme structure and strongly influenced by the art form of sampling. This is the cartoon Nerd not only Rapper
, but produces and samples the much of the material itself also It is thus a superficial Rap landscape ( think leather jacket and
macho-attitude) towards where I had lost all pleasure in the meantime. But Doom acted as a savior, when necessity has been used on men, and (he) woke my - again interest in HipHop - mostly extinguished. ' Vaudeville Villain ', the album of his fictional character Viktor Vaughn is this one of the strongest drives in his oeuvre. Created Of every obscure sample sources Dumile on an eerily-acting Beat backdrop what he was confused,

fictional city stories the protagonist Viktor sets - and quite dope , Alta ! been rarely trivial, like burst drug deal , the purposeless flirtation with the female sex, or a futile confrontation in a restaurant in such a playful and pleasant unplakativ into a ingenious always something
beat offset translucent, Flow packed. Vics rhyme cascade flow while in a dark fog of laced, urban world that made me deeply with ren in the early 90 rooted sound aesthetic first had to rejoice again. "Is it because really that inspired by the one or the other HipHop classics of the penultimate decade would be dug up?" - Of course! [reminder] Company Flow
...[/ reminder ] The volatile set apart ( think
leather jacket ) with that scene in the end only laid open: I could have come much earlier in this refreshing and creative counterculture.

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94th



Hatred Surge - Deconstruct (2009) hype in the blogosphere or not, Hatred Surge have to 'Deconstruct' definitely created one of the most violent album, chasing each of the stick ether were allowed. No matter whether you think that you all have heard before - whether by Despise You (probably because of the male / female vocal exchange the largest Influence are likely to represent Hatred Surge), Crossed Out, or Plutocracy - 'Deconstruct' is a homage to that style, but also the perfection for which the decade. Blast beats, Sludgeinferno, Doppelgekreische, the intensity and the most tough-Bridge Nine tears the Kid Spalding Pants by the thighs - you got it all here. Alex Hughes, previously could tell the bass player for a band about which one exactly the same thing (... but in terms of grindcore, the massive and now legendary Insect Warfare) has to shape his attempt from Hatred Surge a real band with flying colors completed. It blows away just once all that so on ('Retro') tries Powerviolence and acts not even unoriginal - you can accuse the band certainly no exaggeration stubborn adherence to already been there. Of course there is not much room, but the use is made beautiful. The songs race along at 200km / h past you, be desöfteren painfully slowly, just to make you hyperventilierend addictive and to force you to hear it so many times until you mutated into a blatant snob and the disc is recommended to anyone who a so on runs away. The production of the disc is even more emphasized as positive - sounds like an oppressive Kaffeeköttel, fortunately without losing the rough permeability for this kind of music simply vital.

much more to this brutish beast to say not without sound would be tortured. This nearly 19 minutes just to enjoy and experience with a broad grin on the face or you will prefer to 'make NEN Pfeffertee and hears the kettle to the boil. The sharpest knife acoustic of the year (at least!) Can be experienced at least one of the options.

DECONSTRUCTION OF THE MIND, DECONSTRUCTION OF THE BODY. Over and out.

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95th







- 2009 released on
Dekorder

A Berlin collective rattles ominously Folk music and a mystical night banging a blazing fire up and delivers it from one of the most remarkable records of the year.
lower increase of Krautrock and Noise Created while an ecstatic, dark colorful music that could actually direct a shamanic ceremony to be sprung, so ancient and picturesque expressiveness of their Debütabums. The nebulous formation does consist of many varieties originating musicians: among them is joined by the voice of a Japanese woman named Hanayo who together worked with Merzbow and Yoko Ono and more recently Wooden Veil lend their childish whispering voice. To hear them is analysis on several veiled ambient pieces, the seemingly leisurely pulse only herald to the disturbing, sometimes very dark, loaded sound gimmicks of the remaining material.

During this time - all the musical free-thinker - pass any ordinary song-drama short, the flames and a tranceartigem, left to themselves finding sound model - who expects more ritualistic drone will be surprised: radios here, and the instruments
may

cry may well ask.
It will be witnessed harsh back-coupling electric guitars, angular rhythms and noise-threatening Drones that rise like ghosts in the night sky silhouettes. Genial also located in "Gloom Across The Ice" chaotic towering cast-Batch, what with its nerve-jangling tension reminded me of Kubrick's 'Space Odyssey', as the astronauts get the first time in the tension of the black monolith.
found between this spiritual rounding up of various noise sources on the album, individual songs, or rather improvised, emitting a pleasant folky simplicity. Right in the middle of the disc placed, the exemplary, almost exclusively with banjo and percussion instruments-established "Red Desert". A driving, almost warming Country darkened piece sounds somewhat like the so allow associations with landscape width. Otherwise, this mystical dances rooted music (without any indie Refuge) rather loudly around their fire. you can preview here: www.myspace.com / woodenveil

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Wooden Veil - s / t

All new in winter, as they say. In short: At times can be found here songs that make us look Sun as on the small snapshot up there and a few words. And off already jehtet!
# 1: ACME - ACME Blind

are probably only hardcore veterans from Germany that were even then nerds with a penchant for hard surfaces. The band released their roots in the notorious hardcore scene of Bremen and not much more than 9 songs. Nevertheless, they are next to Systral and Carol substantiated as one of the most important forefathers of the 90s Hardcore in all its facets, all the destructive course vorran-mathematical model with the later bands like Botch, Converge or Coalesce their cult Statute. All material (at least as far as I know; who is smarter if I ask for correction) of ACME in 1996 on the compilation '... To Reduce The Choir To One Soloist' - to have naturally long OOP and tasty for 60 euros on Ebay - published, for fans of the aforementioned ABSOLUTE styles is compulsory education. Incredibly intense arrangements, screaming and Gekotze of fine English style, pounding riffs of hell fire. Well, almost. In any case, is "blind" definitely one of the 5 most aggressive, heaviest, despair [...] songs that have come into my Pu ... in my life heard. If hers do not like or 'finds no access', you should immediately take off your shirt and Gang Gang Dance-you pour boiling hot ravioli on the boobs (alternating slow and fast), then you have adjusted about the effect of the song. hear you can "blind" and three other songs here:
http://www.myspace.com/acmegermany